“There are no sex scenes, and all the food looks horrible.”
Emily Wilson on The Odyssey (2026), London Review of Books. Read the full review
Filed under one-liner and savage. Added by Ghislaine on 14 October 2026.
“There are no sex scenes, and all the food looks horrible.”
Emily Wilson on The Odyssey (2026), London Review of Books. Read the full review
Filed under one-liner and savage. Added by Ghislaine on 14 October 2026.
“It’s a family-friendly audiovisual spectacle, like an elaborate Fourth of July fireworks display—and with about the same level of narrative and emotional depth.”
Critics: Emily Wilson on The Odyssey (2026), London Review of Books
“What is this? Crap. Say it loud: Crap.”
Critics: Anthony Lane on Star Wars: Episode I – The Phantom Menace (1999), The New Yorker
“Mr. Patterson and Mr. Choi seem to have thought about the social dimensions of fast food so much that they now see their target audience as problems to be solved, not customers to be pleased. The most nutritious burger on earth won't help you if you don't want to eat it.”
Critics: Pete Wells on Locol, Oakland (2017), The New York Times
“Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.”
Critics: Roger Ebert on Deuce Bigalow: European Gigolo (2005), Chicago Sun-Times
“‘Caligula’ is sickening, utterly worthless, shameful trash. If it is not the worst film I have ever seen, that makes it all the more shameful: People with talent allowed themselves to participate in this travesty. Disgusted and unspeakably depressed, I walked out of the film after two hours of its 170-minute length.”
Critics: Roger Ebert on Caligula (1979), Chicago Sun-Times
“The Philosophers and their Apprentices have no monopoly on a general sort of appraisal as to how sociology is always limited. Sociologists can at least sometimes see that sociology always needs to overcome itself through difficult acts of self-examination. The purely negative, inert, undialectical, and wholly external critique of sociology that (Lane’s version of) Rancière promotes is actually worse than what they both seem to think sociology does to the rest of the world.”
Critics: David Inglis on Rancière’s Counter-Sociology: Politics, History, Education, Cultural Sociology (academic journal)
“With a script that feels indifferent and a near-endless series of endings, I wanted this spell of boredom to be broken much sooner.”
Critics: Anonymous reviewer on Practical Magic 2, We Live Entertainment
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